Live Vocal Processing
On stage, it is certainly not unusual to see guitarists, and even bassists using floor-based results pedals in order to manipulate their sound to match their instrumental performance with what they listen to in their heads. Wah-wah pedals, distortion pedals, and even complicated effects cpus which allow for digital sound looping and preprogrammed effects are fairly very common in your guitar world.
Nevertheless, what is obviously unusual is to see a vocalist using the same kind of equipment to enhance their vocal performance. While in the studio, really for singers to use a variety of sound equipment in order to boost their vocal paths, that is not often translate to the stage, especially not utilizing a Review processors method that the singer can control in real time.
Many different studio effects can be replicated with vocal floor processors. This type of equipment is meant to lie toned on the stage floor, like a guitar processor, and allow the vocalist to use their feet to alter the types of vocal effects that can be applied. There are numerous results available in these devices which can help a singer re-create the same performance that has been captured in a studio recording. Multi-voice harmony can take a singer's voice and then digitally clone it in order to instantly create several harmony parts in tune with the current vocal. It can also allow a second singer to incorporate multiple harmony components to the lead singer's performance using their voice instead. Double-tracking, where a singer combines several different takes of a vocal track into a layered version of the lead vocal, can even be accomplished with this type of processor. This can add a richer, fuller sound to the singer's voice, allowing him or her to lower their own volume and preserve their expressive cords for repeat performances.
Of course, it's not simply vocal-specific effects which can be locked up inside these kind of devices. The standard effects accessible to guitarists or other music artists can even be utilized by singers. Reverb and delay are a pair of the most popular traditional effects when it comes to vocal singing, and both can be employed in order to improve the drama or poignancy of the vocal track. Regarding singers who are thinking about exploring the more extreme side of effects processing, distortions and phaser effects can transform the human tone of voice into something almost unrecognizable. A special foot-pedal allows vocalists to roll results on and off in order to organically blend them into the overall sound they are trying to achieve.
Some singers do not feel comfortable controlling this type of kit during a show, and they choose to leave their vocal processing in the hands of the noise engineers who are combining the concert. For higher-budget productions who can afford personnel to track dedicated sound cues, rack-mounted variations of vocal processing equipment are in the same way useful for getting the most away of a singer's tone. Rack mount equipment is a little more fragile than floor processors, but it also usually recieve more options and more power loaded inside its casing.
